Eddie Lawler's poem tells the story of a trip to Gordale Scar, undertaken by workers from Salt's various Bradford mills - though this was before Salts Mill came into being. The trip is documented in the Bradford Observer, August 23, 1848. 
                      
                        Over 2,000 travelled from Forster Square to Bell Busk, in two trains, the longer one with 41 coaches and two engines.  Everyone took a picnic-basket.  The farmers of Bell Busk and thereabouts were amazed, indeed baffled, to see such numbers skipping about their countryside.  “The band” played before departure, and led the five-mile walk to Gordale Scar, playing in front of the waterfall and finishing with “Auld Acquaintance”.  A few hundred, not everyone, managed the whole walk.  Those who did make it were caught in a heavy rain-shower, though some did have an umbrella……
                        TALE OF THE WORKS TRIP
                        It became tradition (condescending, you might say)
                          To take the factory hands out on a summer’s day
                          Just once a year, a Saturday of course
                          For five were weekdays and the other one was God’s
                          And everyone put on their best, including all-day smile
                          And boarded special trains to seaside, such as Filey
                          Scarborough, Brid, to east, Morecambe, Blackpool, west
                        Well, Saltaire claims that Titus Salt was first 
                          With “workers’ treat”, not to the coast but up the lovely Dales
                          And the story is so stunning we invite you to complete the tale
                          For the destination was a place called Gordale Scar
                          And if you don’t know where that is, we’re not telling yer
                          Except to say the planet offers just a few locations
                          Where humans get an inkling of creation
                          Where rocks shape water, water breathes, 
                          And slowly sculpts a feature of geology 
                          Where humans stop, and stare, and say nowt, maybe smile
                        Well – let’s not get too soft, too philosophical
                          Just try to think back seven-score years and ten
                          And sort out how they fettled this back then
                          There is no film, you’ll need imagination
                          To see three thousand folk board train/s at Saltaire station
                          But how it goes from there remains a simple mystery
                          Calling for a bit of wisdom from a wizard of history
                          Who can work out just where they stopped – Gargrave, or Bell Busk?
                          Then how they got to Gordale Scar – it’s many a mile on foot
                          So did they hire a couple of hundred horses and long carts?
                          How many picnic baskets did they carry? How many hands did work?
                          And having marvelled at the scene (assuming it didn’t rain!)
                          Did ladies get their hems all wet from walking up the stream 
                          How many bold young mill-men clambered up the fall
                          How many screams and giggles echoed up the craggy wall
                          Who slipped on the stepping-stones to blushes and guffaws
                          Who cracked a joke when sheep said “Baah!” from high above the scar?
                          For no photographers recorded what took place
                          And if there was an artist there, his work has been misplaced
                          For this is not Munchhausen, it’s 19th century fact
                          That might teach us a lesson or two in how we ought to act
                        All we know is (bit like the Mill) there was no disaster
                          It seems that all came back alive, not happily ever after
                          But we can surmise, a touch enriched
                          By this and many other railway trips
                          Twixt place-of-work and beauty-spot
                        Until of course they stopped
                        But there is a moral here, and our conviction -
                          When it comes to telling tales, reality beats fiction.
                        Hands down.
                        © Eddie Lawler, 2006